FUTURE LIGHT

CASTELLO 925 | VENICE, ITALY

SOLO EXHIBITION | CURATED BY JEN DRAGON

JULY 29 - SEPTEMBER 20, 2026


 
 

Future Light presents a collection of mixed media paintings on canvas, paper and plaster, reflecting on the internal landscape of vulnerability that we traverse in connecting to the world around us


excerpt taken from Cross Contemporary Art’s press release —

World War II trauma led Kirby’s grandparents to leave their Italian mountain village and ultimately emigrate to the United States. Two generations and seventy-five years later, Gabriella Kirby returns with her own family for an exhibition of her artwork during the 61st Venice Biennale and for a reunion with her matrilineal community of Vestenavecchia in the foothills of the Dolomites. 

Future Light surveys several species - from plant to animal to human - and focuses on the protective, communicative and life-giving parts that continue to adapt and evolve, while holding an awareness of potential future threats. Although generational trauma informs these ethereal works on paper and gestural works on canvas, Kirby’s natural forms, with their trembling edges, traverse the internal landscape of vulnerability and suggest a life at once familiar, spliced with a kind of space that hovers on the cusp of memory.  

Possessing a tender biology, Gabriella Kirby’s work is clearly defined with crisp energy and perceived movement, reckoning with the intricacies of inherent darkness and evoking the potential of future light.


Gabriella Kirby holds a BFA from Tufts University and The School of the Museum of Fine Arts, Boston, as well as an AA with High Distinction in Design from the Art Institute of Portland. Her artwork has been exhibited in galleries throughout the Hudson Valley and NYC, as well as Portland, OR; Vancouver, WA; Laguna Beach, CA; London, England. Her projects include a public art earthwork in Ashland, OR, and an installation artist contributor at The Craft Contemporary Museum, Los Angeles, CA. Her paintings have been featured in Vanity Fair, London (UK). Her work is held in the private collection at the School of the Museum of Fine Arts, Boston. She lives and works in upstate New York.

Castello 925 is a multi-disciplinary, non-profit gallery that serves as a crucible for the visual arts, literature, and culture. Founded by psychoanalyst Luca Caldironi and a partner with the Venice Biennale, Castello 925 explores the origins of creativity with a vibrant program of exhibitions and conversations. 



Works —

The exhibition is structured to read as a poem as the artwork titles span across the gallery walls from left to right

 

Inside

Studio section - exhibition installation of graphite, charcoal studies on layered vellum and arches paper; photographs

 
 
 

A Space Pulled Outward

2026, Acrylic, charcoal, graphite, pastel on arches paper, 22” x 29.5”

 
 

Paper Airplanes - series

 

Paper Airplanes - 1

2021, Acrylic, graphite, pastel on paper, 5” x 5” | 10” x 10” framed

Paper Airplanes - 2

2021, Acrylic, graphite, pastel on paper, 5” x 5” | 10” x 10” framed

Paper Airplanes - 13

2024, Acrylic, graphite, pastel on paper, 5” x 5” | 10” x 10” framed

Paper Airplanes - 14

2024, Acrylic, graphite, pastel on paper, 5” x 5” | 10” x 10” framed

 
 

Touch Upon - diptych

2026, Acrylic, charcoal, graphite on Arches paper, 9" x 6.5"

 
 
 
 
 

Foraged Secrets Neatly Buried - triptych

2026, Acrylic, charcoal, graphite, pastel on arches paper, 20" x 16"

Heard Through Twisted Waves Of Sound

2024, Acrylic, graphite, ink on paper, 18" x 24"

 

The Notes They Were Singing - series

 
 

The Notes They Were Singing - 1

2021, Acrylic, graphite, pastel on plaster panel, 7” x 7”

 
 

The Notes They Were Singing - 2

2021, Acrylic, graphite, pastel on plaster panel, 7” x 7”

The Notes They Were Singing - 3

2021, Acrylic, graphite, pastel on plaster panel, 7” x 7”

The Notes They Were Singing - 4

2021, Acrylic, graphite, pastel on plaster panel, 7” x 7”

 
 

When The Fallen Bones Were Found - diptych

2026, Acrylic, charcoal, graphite, pastel on arches paper, 9.75” x 21.5”

But Time Shook The Fight Out Of Its Wings

2026, Acrylic, graphite, pastel on canvas, 44” x 52”

 

Spliced From a Memory - 1

2026, Acrylic, graphite on paper, 9” x 12”

 
 

Spliced From a Memory - 2

2026, Acrylic, charcoal, graphite, pastel on paper, 9” x 12”

 
 

Spliced From a Memory - 3

2026, Acrylic, charcoal, graphite, pastel on paper, 9” x 12”

 
 
 

Left Pressed, Preserved and Trailing - 1

2026, Acrylic, charcoal, graphite, pastel on arches paper, 11” x 10”

 
 

Left Pressed, Preserved and Trailing - 2

2026, Acrylic, charcoal, graphite, pastel on arches paper, 11” x 10”

 
 

Once Cowered Spines Can Now Release

2026, acrylic, charcoal, graphite, pastel on arches paper, 19" x 18.5"

 
 

We Shudder Still But Shift

2024, Acrylic, charcoal, graphite, pastel on canvas, 23” x 30”

 

Into a Future Light

2025, Acrylic, charcoal, graphite, pastel on paper, 9" x 11"

 
 

Inside 

a space pulled outward

paper airplanes

touch upon

foraged secrets neatly buried

heard through twisted waves of sound

the notes they were singing

when the fallen bones were found

but time shook the fight out of its wings

spliced from a memory

left pressed, preserved and trailing

once cowered spines can now release 

we shudder still but shift

into a future light


For inquires please contact: gkirby.art@gmail.com